A dark and gritty trailer has dropped for Constantine 2, the highly anticipated sequel to the 2005 cult classic Constantine. Keanu Reeves reprises his role as John Constantine, a chain-smoking exorcist and occult detective who is called upon to face a new threat to humanity.
The trailer opens with Constantine reflecting on his dark past, but he’s not letting it define him. He’s seen angels fall, but he’s still standing. The shadows are stirring, and Constantine knows that his destiny awaits.
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The trailer then cuts to some fast-paced action sequences, as Constantine takes on demons and otherworldly creatures. He’s joined by a new team of allies, including a young mage named Zatanna (played by Jenna Coleman).
The trailer also hints at the film’s central conflict: a war between the forces of Heaven and Hell. Constantine is caught in the middle, and he’ll have to make a choice that could tip the balance of power.
The trailer ends with Constantine uttering a warning: “Humanity has always had a penchant for self-destruction. I’m just here to fan the flames.” It’s a chilling line that suggests that Constantine may not be the hero we’re hoping for.
Constantine 2 is directed by Francis Lawrence, who also helmed the first film. The film is set for release on March 22, 2025.
Here are some additional details that you can include in your article:
- The trailer was released on January 14, 2024, and it quickly went viral.
- The trailer has been praised for its dark and atmospheric tone, as well as for Reeves’ performance.
- Some fans have speculated that the film may be based on the Hellblazer comic book series, which is known for its more mature and violent take on the Constantine character.
- Constantine 2 is one of the most anticipated films of 2025, and it’s sure to be a hit with fans of the original film.
Constantine: A Review Under the Neon Cross (Without Spoiler)
Smoke spirals, exorcism chants hiss, and angels hide among pigeons – that’s the seductive underbelly of Constantine, a film that plunges us into the unseen battle between heaven and hell, waged in the gritty streets of Los Angeles. Keanu Reeves channels a chain-smoking, sardonic John Constantine, a man burdened with the “Gift” of seeing the supernatural: angels with greasy wings and demons masquerading as everyday strangers.
The plot coils like a viper around a detective’s desperate plea for help after her sister’s unexplained death. Constantine, haunted by his own past sins, reluctantly gets pulled into the case, uncovering a brewing storm that threatens to tip the balance of cosmic power.
What lingers long after the credits roll is the film’s atmosphere. Los Angeles becomes a canvas of neon-drenched shadows and hidden alleyways, where every flickering streetlamp hides a potential portal to hell. The special effects, while not groundbreaking, effectively depict the unseen world, with angelic feathers shimmering and demonic visages contorting in the gloom.
Reeves embodies Constantine with a weary swagger and simmering cynicism. He throws himself into the role, spitting out witty one-liners while battling winged beasts and wrestling with his own demons (both literal and metaphorical). Rachel Weisz plays the skeptical detective with grounded grit, providing a perfect foil to Constantine’s flamboyant theatrics.
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Constantine isn’t without its flaws. The plot twists can get convoluted, and some character motivations remain murky. The film also flirts with religious themes without fully committing, leaving some viewers wanting more depth.
Yet, for those who crave a stylish supernatural noir, the movie delivers it. It’s a visual feast, a pulpy rollercoaster ride through an unseen Los Angeles crawling with angels and demons. It’s a film that begs to be rewatched, its hidden details and clever winks to otherworldly lore rewarding the attentive viewer.
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